Tijs Dragtsma (1992) - Christ Rising From Shadow

objet/tijs dragtsma 1992 christ rising from shadow KzbDodD 633201330 / Ventes en cours

objet/tijs dragtsma 1992 christ rising from shadow KzbDodD 633201330

Ventes en coursRésultats des ventes

objet/tijs dragtsma 1992 christ rising from shadow KzbDodD 633201330

Ventes en coursRésultats des ventes

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Tijs Dragtsma (1992) - Christ Rising From Shadow

Christ Rising From Shadow holds a face turned upward, caught in the instant between suffering and transcendence. The crown of thorns is not painted onto the picture, it is scratched into being, a tangle of fine marks that catches the eye before the face beneath it does. Nothing here is printed and nothing is applied. The image is formed by controlled scratches on acrylic glass, a field of individual marks that gathers into brow, cheekbone, beard and the raised line of a throat. Where the surface is left untouched, it stays black, and that black becomes as much a part of the figure as the light. The image is always present. It does not wait for a lamp to reveal it, and it does not depend on the angle of a room. Light does not create this face. It sharpens it, deepening the contrast until the crown seems to tighten and the eyes seem to lift further into whatever they are seeing. From across a room the work reads as a single luminous portrait, a head rising out of darkness. Close up, that portrait dissolves into a field of scratches, each one a small, deliberate act of removal. The distance between those two readings is where the piece does its work. Christ has been asked to carry every human weight there is, guilt, hope, grief, the promise of rising again. This piece does not illustrate that story so much as stage it, in a material that is itself split between what is taken away and what remains. A visual language where damage is not destruction, but structure. Christ Rising From Shadow continues the Art with Scratch series by Tijs Dragtsma, in which imagery is constructed through controlled surface damage rather than pigment or print. This work is unique. "Even in shadow, the face still finds its light." About Art with Scratch Art with Scratch is a body of work in which the image is not drawn, but released. Carved line by line into a deep black surface, each work emerges through countless precise scratches that catch the light and bring form out of darkness. From a distance, the image appears almost photographic. Powerful, recognisable and full of presence. Yet up close, the work dissolves into a dense field of individual marks. Fine, fragile and almost weightless. What seemed solid reveals itself as a delicate web of lines, each one a deliberate gesture, each one essential to the whole. Light does not create the image. It sharpens it. The black surface absorbs, while the scratched lines reflect. As light shifts across the surface, the image breathes. From one angle the figure stands clear and defined. From another it softens and settles back toward the darkness from which it came, without ever disappearing. Under a focused spotlight, the contrast deepens and the image takes on a sculptural, almost luminous quality. What makes this medium so compelling is its quiet tension. The act of scratching is direct and irreversible. Every line is a decision that cannot be undone. Yet the result is not harsh. It is intimate, atmospheric and alive with movement. Hardness becomes softness. Destruction becomes creation. Absence becomes presence. In works such as this portrait, the figure is never fully fixed. Through the interplay of line, light and shadow, the image shifts with perspective and atmosphere. At certain moments, the subject seems to step forward out of the black. At others, it settles back into stillness. It is within that movement, between sharpness and calm, that the work comes alive. Like all materials touched by time, the surface carries its own quiet life. Each scratch holds a moment, a breath, a gesture. Together they form not just an image, but a presence, one that continues to reveal itself with every change of light. About the Artist My name is Tijs Dragtsma, founder of TD Fine Art Studio. As an artist, I am driven by a constant desire to explore new visual languages. I do not see art as a fixed style, but as an evolving field of discovery where material, structure, light and emotion come together. My work often begins with a simple question. How can a material speak in a new way. How can hardness become intimacy. How can precision create emotion. That search lies at the heart of everything I create. Within TD Fine Art Studio, each body of work is approached as its own world, with its own logic, atmosphere and visual identity. Some works are built through rhythm, repetition and structure. Others emerge through absence, shadow, reflection or tension. What connects them is a shared commitment to originality, clarity and emotional presence. I am fascinated by contrast. Between strength and fragility. Between control and feeling. Between what is visible and what is left open to interpretation. My goal is not simply to make an image, but to create a work that holds attention, invites reflection and continues to reveal itself over time. TD Fine Art Studio is the space in which these explorations come together. It is not only a studio, but an evolving artistic universe shaped by curiosity, precision and the ambition to create work that feels distinctive, intentional and alive.

Estimation:€3,500

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