Patrick Swazo Hinds Ladies in Waiting 1972 Tamarind Lithograph Signed 62 of 70

North America, United States, Patrick Swazo Hinds, also known as José Patricio Swazo (Tesuque Pueblo, [1929] to 1974), 1972 CE. “Ladies in Waiting,” stone lithograph, edition 62 of 70, from the portfolio “Pueblo Dancers,” printed by master printer Harry Westlund at the Tamarind Institute, Albuquerque, New Mexico, and published by Art Consultants, Ltd., Phoenix, Arizona. The lot includes three sheets: the lithograph, with the portfolio’s printed title page and end page. In tones of gray and black, three Pueblo women stand in procession, eyes downcast, long dark hair falling over shoulders draped in feathered garments. Each wears a stepped, terraced tablita crowned with prayer feathers and marked with cloud, rain, and terrace motifs. The composition combines ceremonial subject matter with the artist’s modern, abstracted line. Hand-signed, dated, and numbered at lower left. Artist's bio: "Patrick Swazo Hinds was a renowned artist and painter whose work combined Native motifs with a modern style that became an expression of his heritage and culture. As a child, he was adopted and moved to California where he pursued his education in art. He attended Hill and Canyon School of Arts in Santa Fe, New Mexico; California College of Arts and Crafts in Oakland; Mexico City College; and the Art Institute of Chicago. He also served in the U.S. Marines during the Korean War, and later worked as a teacher before becoming a full-time artist. Over his lifetime, Swazo Hinds's works have been shown in numerous exhibitions, including at the San Francisco Museum of Modern Art, and are in the permanent collections of the Institute of American Indian Arts and the National Museum of the American Indian. As an important person in the California art scene, Swazo Hinds departed from the traditional style and painted highly abstracted pieces that emphasized his connection to his Pueblo culture, which he visited every summer after his adoption. He stated, 'I have worked hard to learn to paint and now I have chosen to paint the Indian . . . and his religion and his culture as I understand it. I can paint an Indian as ugly as I want, because there is pain, there is sorrow, there is suffering. I can paint him beautiful, because that is there, too.'" (Autry Museum of the American West website) A Certificate of Authenticity will accompany all winning bids. Item # 203530

Estimation:€201.78

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