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Toutes les enchères / Autres / Massimo Orsucci (1946-2025) - Mareggiata al chiaro di luna
Original painting by Italian painter Massimo Orsucci (Livorno 1946-2025) Complete with legally compliant certification stamped and signed. Technique: oil on canvas Painting in good condition, does not require restoration Title or subject: "Moonlit Storm" - datable to the 2010s Dimensions of the painting: 49 x 69 cm - frame not included The painting will be polished with a transparent protective varnish "DAMAR" to give new life and brilliance to the colors Certification and archiving: Modì Arte - Livorno (Italy) Shipping via Fedex, UPS, TNT, SDA Express from Italy with tracking number NOTE: It is important for us to inform you that our after-sales customer service is always active and at your service for assistance or simple information MASSIMO ORSUCCI (Livorno, Italy 1946-2025) “Painter of undisputed landscape talent who offers a vision of beauty and truth in every painting. A lover of nature, he executes his works from life thanks to his long experience and manages to achieve those color fusions, those nuances that make his paintings a source of research for collectors and gallerists, self-taught artist, an artist who rejects easy showmanship, he possesses precise drawing, a beautifully gilded brushstroke without hesitation, with precious transparencies and glazes.” FREDDY LUCIANI (Director of Arte Mercato Molise) “Expressing an opinion about a colleague’s work, even if much younger, is always an act of presumptuousness. I say this because I was asked to, and because I hope my words can be of encouragement. I know Orsucci personally and have seen several of his works; he is certainly a painter of excellent quality, which bodes well for continued evolution and, above all, for his ability to find within himself the strength to fight for an ideal.” GIULIO DA VICCHIO (painter) On Massimo Orsucci’s canvases, color flows without fractures or interruptions, spreading in tones that express the intoxication of colors arising from the enchantment of his seascapes, full of light, saturated with sea spray, thunderous in the waves under the gusts of the southwest wind or calm in the slow songs of the undertow. Precisely for the seduction of these “open-air” visions, in which the sky sometimes merges with the sea, and for his impressionistic way of giving color and warmth to the beaches, coasts in the different seasons, at different times of the day, I liked to define Massimo Orsucci as "the painter of the sea".
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