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Toutes les enchères / Photographies / 19th C. Egyptian Albumen Prints, Group of 3 - Sebah, Delie & Bechard, Zangaki

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19th C. Egyptian Albumen Prints, Group of 3 - Sebah, Delie & Bechard, Zangaki

19th C. Egyptian Albumen Prints, Group of 3 - Sebah, Delie & Bechard, Zangaki

North Africa, Egypt, Orientalist photography. A trio of late 19th C. albumen silver prints capturing the romance of Egyptological discovery in the age of the Grand Tour, each issued by a celebrated commercial studio that catered to scholars, archaeologists, and well-heeled travelers disembarking at Alexandria and Cairo. The first, signed in the negative "J.P. Sebah," is an interior view of the Musee de Ghizeh (Giza), produced by Jean Pascal Sebah, son of the Constantinople photographer Pascal Sebah and a leading documentarian of Ottoman and Egyptian antiquities. The image surveys a gallery crowded with vitrines of statuary, sarcophagi, and stelae, the polished plank floor receding toward painted Orientalist wall decoration. Sebah's compositions of the Boulaq and Ghizeh collections circulated widely as visual indices of Auguste Mariette's nascent Egyptian Museum. The second is plate 17 titled "Amulets" from Adrien Bechard and Hippolyte Delie's "Album du Musee de Boulaq," published in Cairo by Moures & Cie in 1872. The print records a panel of funerary monuments, an assemblage of cartouches, votive offerings, and hieroglyphic inscriptions arranged for study. Commissioned by Mariette himself to disseminate the Boulaq holdings to a European scholarly audience, the Delie et Bechard album remains a foundational document of early museological photography in Egypt. The third, captioned in the negative and attributed to the Zangaki brothers (Constantine and George), depicts the "Ascension de la Pyramide," travelers in Victorian dress clambering up the colossal masonry of Khufu assisted by Bedouin guides. The Greek-Egyptian Zangakis worked from a wagon-studio that followed tourists along the Nile and the Suez route, supplying the postcard imagination of late Ottoman Egypt with its enduring iconography of camels, pyramids, and intrepid sightseers. Together the three prints chart the photographic frontier where archaeology, tourism, and the picturesque converged. Item # 188250

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