Le rapport Barnebys 2018 : la montée de l’excellence digitale et de l’art féminin
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Banksy (b.1974) Grannies, Banksy (b.1974), Grannies
Banksy (b.1974) Grannies Screenprint in colours, 2006, numbered from the edition of 500 in pencil, on Arches 88 wove paper, printed and published by Pictures on Walls, London, with their blindstamp, with full margins, sheet 560 x 755mm (22 x 29 3/4in) This work is accompanied by a certificate of authenticity issued by Pest Control Office. Banksy (b.1974), Grannies, Screenprint in colours, 2006, numbered from the edition of 500 in pencil, on Arches 88 wove paper, printed and published by Pictures on Walls, London, with their blindstamp, with full margins, sheet 560 x 755mm (22 x 29 3/4in), This work is accompanied by a certificate of authenticity issued by Pest Control OfficeEn savoir plus
- Estimation basse
- Voir les enchères 5 700 EUR
Brenden Kotyk - 2019 CCM/ECHL All-Star Classic - Hooks - Game-Issued
The 2019 CCM/ECHL All-Star Classic featured a 3-on-3 tournament with four teams competing for the top spot with the host Toledo Walleye making up two of the four teams and facing-off against the other two teams made up of All-Star players from the Eastern and Western Conference. This yellow jersey was prepared for use by #5 Brenden Kotyk while playing for the Toledo Walleye "Hooks" team during the first two games of the first round of the 2019 ECHL All-Star Weekend. The jersey is autographed. The Jersey, a 56 and uniquely designed for the All-Star Game, is registered into The MeiGrade System of Registration. Shipping costs for this item are: $20.00 USD within the Continental USA $35.00 USD to Alaska and Hawaii $45.00 USD to Alberta, British Columbia, Ontario, Quebec, and Saskatchewan $50.00 USD to Manitoba, Northwest Territories, Nunavut and Yukon $75.00 USD to Nova Scotia $60.00 USD to France, Germany $80.00 USD to Australia, China, Denmark, Italy, Japan, Sweden $85.00 USD to Norway, Switzerland $100.00 USD to Czech Republic $110.00 USD to Finland, Russia, Slovakia All winning bidders pay shipping charges and are responsible for all tariffs, taxes, duties and any other additional costs associated with shipping inside or outside of North America. This yellow jersey was prepared for use by #5 Brenden Kotyk while playing for the Toledo Walleye "Hooks" team during the first two games of the first round of the 2019 ECHL All-Star Weekend. The jersey is autographedEn savoir plus
- Estimation basse
- Voir les enchères 290 EUR
Allemagne Forstmeister Geltz-Zilliken Saarburger Rausch Riesling Spatlese
Lot Description: Allemagne Forstmeister Geltz-Zilliken Saarburger Rausch Riesling Spatlese Mosel 2012, Allemagne Forstmeister Geltz-Zilliken Saarburger Rausch Riesling Spatlese Mosel 2012, Further informationEn savoir plus
- Estimation basse
- Voir les enchères 80 EUR
A replica of Kazimir Malevich's GOTA plaster architecton (Arkitekton Gota, 1923) is here displayed, in sale as a unique piece. This reproduction, entirely made of wood - thus heavy -, is an individual creation by local woodcrafters based on the GOTA’s interpretation by Beamalevich, a Barcelona based art editor and curatorspecialized in Malevich and European avant-garde artists. The GOTA Architekton is a vertical structure, a "planit" in the words of Malevich, and a clear example of the artist attempts to extrapolate the Suprematist pictorial system into architecture. There are references to skyscraper on its edges, although no specific building to be identified. The lack of information about access, circulation or use on its surfaces is a reason behind the artist designing and creating the Architectons - to propose his conviction that a new architecture can rise simply from the assembly of abstract volumetric masses rather than from a design based on the use. The size of the item is exactly as the original GOTA Architecton. The blend of different woods is glued together,and covered with several coats of whitepaint plus a drawn black circle. Made in Barcelona in 2008. SPECIFICATIONS Dimensions: LENGTH: 52.5 cm // 20.7 in HEIGHT: 85.3 cm // 33.6 in WIDTH: 56 cm // 22 in Weight: 4 kg // 8.8 lb // 141.1 oz Shipment includes insurance. Arkitekton Gota, plus a drawn black circle. SPECIFICATIONS Dimensions:, Weight:, Shipment includes insuranceEn savoir plus
LOUIS VUITTON Nil Monogram Canvas Shoulder Bag
En axelremsväska från Louis Vuitton i modellen Nil. Väskan har två stora fack som båda stängs me dragkedja. Insidan har brunt textilfoder och en mindre ficka med dragkedja. Väskan bärs över axeln eller cross-body med det reglerbara axelbandet.En savoir plus
Sharp's Dock, Pender Harbour - Walter Joseph (W.J.) Phillips
Lot # 001 Important Collection of WJ Phillips, Manitoba Online auction Walter Joseph (W.J.) Phillips ASA CPE CSPWC RCA 1884 - 1963 Canadian Sharp's Dock, Pender Harbour colour woodcut on paper 1952 signed, titled and editioned 10/100 9 1/4 x 14 in 23.5 x 35.6cm Provenance: Private Collection, Manitoba Literature: Roger Boulet, Walter J. Phillips, The Complete Graphic Works, 1981, reproduced page 568 Exhibited: Montreal Museum of Fine Arts, Royal Canadian Academy of Arts Seventy-Third Annual Exhibition, November 14 - December 7, 1952, one of the edition exhibited Walter J. Phillips came to Canada from England in 1913, settling in Winnipeg where he taught at St. John’s Technical School. He began etching in 1915, learning the technique from Cyril Barraud and quickly mastering it. In 1916, the National Gallery of Canada purchased two etchings, but Phillips was not satisfied with the colour limitations of this medium and turned to the woodcut, learning the technique himself. In 1917 he produced Winter, a remarkable accomplishment in a new and difficult medium. Within two years Phillips’s woodcuts were reproduced in The Studio, and his virtuosity was fully apparent. He would return to England in September of 1924, where he met Yoshijiro Urushibara, a master printmaker visiting from Japan, who taught Phillips the importance of sizing, a gelatinous mixture applied to the printing paper. Critical to Phillips’s work, sizing gave his woodcuts the perfection of tone and surface, the fine layering of crisply transferred colour, and delicate silken surface that characterizes them. In 1925 Phillips returned to Canada. He produced prints and watercolours regularly and wrote the book The Technique of the Colour Woodcut in 1926. He began a series of print portfolios, producing Ten Canadian Colour Prints in 1927, and The Canadian Scene in 1928. The majority of his woodcut work was done in the 1930s, and he published a portfolio of wood engravings, An Essay in Woodcuts in 1930. In 1931 he completed the portfolio Ten Woodcuts, as well as 21 wood engravings for Dreams of Fort Garry. The portfolio Winter Woodcuts was published in 1936. He produced the illustrations for Frederick Niven’s 1937 book Colour in the Canadian Rockies. Phillips’s lyrical style was based directly on the tenets of Art Nouveau presented with the technical perfection of the Japanese prints that he so admired. The iconic York Boats on Lake Winnipeg, 1930, used decorative line and flowing, organic movement - all presented in a soft blend of colours - with the areas of grain from his carefully chosen wood showing clearly in the work. In 1929, he produced Karlukwees, BC, one his most beloved and beautiful images. Phillips exhibited regularly across North America and was active in print societies internationally. Six of his prints were included in the Detroit Art Institute’s 1919 Wood Block Prints in Colour by American Artists. He was represented by Brownhead Coutts in London and Brown-Robertson in New York, and showed 93 works in the graphic art section of the Canadian National Exhibition in 1930. A member of the RCA from 1921, he became an academician in 1933. In 1940 Phillips was invited to teach in Alberta, and in 1942 moved to Calgary to manage positions there and in Banff. Moving to Banff in 1948, he taught 20 summer sessions, painting watercolours of the surrounding peaks. In 1952, the two major woodblocks that Phillips selected for the annual RCA exhibition were Indian Days, Banff and Sharp's Dock, Pender Island. In 1954 he was asked to paint the Strathcona Park Car for the Canadian Pacific Railway’s The Canadian. After retiring from teaching in 1959, Phillips was given an honorary Doctorate by the University of Alberta in 1960, and in that same year he moved to Victoria, British Columbia. Estimate: $5,000 ~ $7,000 CAD Starting Bid: $4,000 CAD Preview at: Heffel – 13 Hazelton Ave Toronto Condition report View Heffel's Top Results by this artist Currency converter Close Shipping calculator Bidding History Paddle # Date Amount $ There are currently no bids for this lot All prices are in Canadian Dollars. Although great care has been taken to ensure the accuracy of the information posted, errors and omissions may occur. All bids are subject to our Terms and Conditions of Business. Lot # 001, Walter Joseph (W.J.) Phillips, Sharp's Dock, Pender Harbour, Estimate:, $5,000 ~ $7,000 CAD, $5,000 ~ $7,000 CAD, Starting Bid:, Starting Bid:, Starting Bid: $4,000 CAD, $4,000 CAD, Preview at: Heffel – 13 Hazelton Ave Toronto, Preview at: Heffel – 13 Hazelton Ave Toronto Condition report View Heffel's Top Results by this artist Currency converter Close Shipping calculator, Condition report, View Heffel's Top Results by this artist, Currency converter, Close, Shipping calculator, Bidding History Paddle # Date Amount $ There are currently no bids for this lot All prices are in Canadian Dollars. Although great care has been taken to ensure the accuracy of the information posted, errors and omissions may occur. All bids are subject to our Terms and Conditions of Business. Bidding History, Paddle #, Date, Amount $, There are currently no bids for this lot, All prices are in Canadian Dollars. Although great care has been taken to ensure the accuracy of the information posted, errors and omissions may occur. All bids are subject to our Terms and Conditions of Business. Terms and Conditions of BusinessEn savoir plus
- Estimation basse
- Voir les enchères 3 300 EUR
Aaron Gordon - Orlando Magic - Game-Worn Classic Edition 1994-98 Alternate
The NBA and MeiGray are proud to offer fans and collectors across the globe the opportunity to own a piece of history... a jersey worn in a game during the 2018-19 National Basketball Association regular season, by #0 Aaron Gordon of the Orlando Magic. Gordon wore this jersey during the Magic's 108-104 victory over the Los Angeles Lakers on November 25, 2018 at STAPLES Center in Los Angeles, CA. He played 31 minutes and registered 17 points with 4 rebounds and 1 steal. He also wore this jersey during the 120-88 loss to the Hornets on October 19, 2018, the 103-96 loss to the Pistons on November 7, 2018, the 117-108 victory over the Wizards on November 9, 2018 and the 130-117 victory over the Lakers on November 17, 2018. He played 24 minutes and registered 5 points with 2 assists, a game-high 10 rebounds, 2 steals and 2 blocked shots on October 19, played 28 minutes and registered 15 points with 6 assists, a team-high 10 rebounds, 2 steals and 1 blocked shot on November 7, played 42 minutes and registered 20 points with 4 assists and 7 rebounds on November 9 and played 29 minutes and registered 12 points with 3 assists, 6 rebounds and 2 steals on November 17. This blue jersey, a Size 52+6 inches extra length, is registered into the NBA and MeiGray Game-Worn Jersey Authentication Program as number ORLE01478. "11/25/18" is handwritten on the jock tag. MeiGray Group, the Official Game-Worn Source of the NBA, offers collectors the highest standards of authenticity for an exciting array of game-worn items. Every item comes directly off the backs of the NBA's greatest players and directly off the courts from the league's most exciting events under the watchful eyes of an NBA or MeiGray representative. Visit nbagameworn.com for the best and latest in NBA game-worn jerseys and other memorabilia items.En savoir plus
- Estimation basse
- Voir les enchères 890 EUR
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