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Hopper, Edward
Vendu
Hopper, Edward
Vendu

Hopper, Edward

US
NY, US
US

À propos de l'objet

Two Comedians
US
NY, US
US

medium

Oil on canvas

creator

Hopper, Edward

condition

Please contact the American Art department for this condition report: (212) 606 7280 or Laura.West@sothebys.com In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

dimensions

29 by 40 inches

exhibition

Pittsburgh, Pennsylvania, Carnegie Institute, 1967 Pittsburgh International Exhibition of Contemporary Painting and Sculpture, October 1967-January 1968, no. 265, illustrated, n.p. New York, Whitney Museum of American Art; London, Hayward Gallery; Amsterdam, Netherlands, Stedelijk Museum; Düsseldorf, Germany, Städtische Kunsthalle; Chicago, Illinois, Art Institute of Chicago; San Francisco, California, San Francisco Museum of Modern Art, Edward Hopper: The Art and the Artist, September 1980-February 1982, p. 55, illustrated pp. 56, 250 New York, Gagosian Gallery, Edward Hopper: Paintings, October-November 1993, pp. 46, 47, illustrated p. 47 London, England, Tate Modern; Cologne, Germany, Museum Ludwig, Edward Hopper, May 2004-January 2005, pp. 44, 58, illustrated fig. 50, pp. 222-23 Paris, France, Grand Palais, Edward Hopper, October 2012-January 2013, n.p.

literature

Lloyd Goodrich, Edward Hopper, New York, 1971, p. 154, illustrated p. 156 James R. Mellow, “The World of Edward Hopper,” The New York Times Magazine, September 5, 1971, p. 23, illustrated p. 18 Bryan Robertson, “Hopper’s Theater,” The New York Review of Books, vol. 17, December 16, 1971, p. 39 Avis Berman, “A Master Artist and the Secret of His Past,” The Sun, Baltimore, Maryland, October 28, 1979, section D, p. 3 Gail Levin, “Edward Hopper, Francophile”, Arts Magazine, vol. 53, June 1979, p. 119, illustrated fig. 34 Gail Levin, Edward Hopper: As Illustrator, New York, 1979, pp. 44, 46, illustrated fig. 55 Ann Barry, “The Full Range of Edward Hopper,” The New York Times, September 21, 1980, section 2, p. 29 illustrated Bruce Duff Hooton, “America’s Creative Realist,” Horizon, vol. 23, September 1980, p. 54 Gail Levin, “Edward Hopper: The Influence of Theatre and Film,” Arts Magazine, vol. 55, October 1980, pp. 124-25, illustrated fig. 24 Gail Levin, “Hopper, un gigante del realismo Americano: l’America e sola al mondo,” Bolaffiarte, October 1980, p. 48, illustrated pp. 42, 43 James Monte, “Edward Hopper: An American Original—the Art”, Museum Magazine, vol. 1, September/October 1980, p. 68 Ronald Paulson, “Edward Hopper and Some Precursors,” Bennington Review, December 1980, p. 71, illustrated p. 64 Curt Truninger, “Edward Hopper Retrospective in New Yorker Whitney Museum,” Der Bund, Bern, Switzerland, November 8, 1980, p. 3, illustrated Patricia Turner, “Consistency of Edward Hopper Evident at Whitney,” Courier-News, Bridgewater, New Jersey, September 26, 1980, p. B-1 The Arts Council of Great Britain, London, Edward Hopper 1882-1967, 1981, p. 61 Louis Cooke, “Edward Hopper Exhibit,” P.S., January 14, 1981, p. 20 William Feaver, “The Painter of Lonely Streets and Heartbreak Hotels,” London Observer, February 1, 1981, p. 32 Raimund Hoghe, “Menschen auf Distanz”, Die Zeit, Hamburg, West Germany, July 17, 1981, p. 35, illustrated Gail Levin, “Editor’s Statement,” Art Journal, vol. 41, Summer 1981, p. 116, illustrated fig. 1 Gail Levin, “Hopper’s America,” Bijutsu Techo, vol. 33, March 1981, illustrated fig. 28, n.p. Michael McGuinness, “Canvases of Light and Life”, Metro Magazine, December 1981/January 1982, p. 13 Verena Von Korff, “Das Leben—Ein Wartesaal”, Frankfurter Neue Presse, July 30, 1981, p. 9 Gail Levin, Edward Hopper, New York, 1984, pp. 79, 80, illustrated p. 90 Morton Manilla, “Edward Hopper: The Religion of the Ego,” C, no. 8, Winter 1985, p. 28, illustrated The Great Artists: Their Lives, Works and Inspiration, Part 88: Hopper, London, 1986, p. 2791 Robert Hobbs, Edward Hopper, New York, 1987, p. 146, illustrated p. 147 Gail Levin, Edward Hopper: A Catalogue Raisonné, New York, 1995, vol. III, no. O-366, p. 380, illustrated p. 381 Gail Levin, Edward Hopper: An Intimate Biography, Los Angeles, California, 1995, pp. 572-74, illustrated p. 573 Deborah Lyons, Adam Weinberg and Julie Grau, Edward Hopper and the American Imagination, London, 1995, illustrated p. 28 Deborah Lyons, Edward Hopper: A Journal of His Work, New York, 1997, p. 89, illustrated Virginia M. Mecklenburg, Edward Hopper: The Watercolors, Washington, D.C., 1999, p. 165 Patricia McDonnell, On the Edge of Your Seat: Popular Theater and Film in Early Twentieth Century American Art, New Haven, Connecticut, 2002, p. 140 Gerry Souter, Edward Hopper: Light and Dark, New York, 2007, illustrated pp. 224, 225 Walter Wells, Silent Theatre: The Art of Edward Hopper, London, 2007, pp. 16, 166, 187, 233, 235, 236, illustrated p. 241 Gerald Matt, Western Motel: Edward Hopper and Contemporary Art, Nuremberg, Germany, 2008, pp. 38, 40, illustrated fig. 14, p. 40 Carter E. Foster, ed., Edward Hopper, Milan, Italy, 2009, no. 44, p. 83, illustrated p. 85 Carter E. Foster, Hopper Drawing, New York, 2013, p. 121

provenance

[With]Frank K. M. Rehn Gallery, New York [With]M. Knoedler & Co., Inc., New York Mr. and Mrs. Irving Felt, New York (probably acquired from the above) [With]Peter H. Davidson & Co., Inc., New York Mr. and Mrs. Frank Sinatra, Rancho Mirage, California, 1972 (probably acquired from the above) Acquired by the present owner from the above, circa 1995

signedDate

Signed EDWARD HOPPER (lower left)

artist_range_end

1967

artist_range_start

1882

consignmentDesignation

Property from a Distinguished Private Collection

creator_nationality_dates

1882 - 1967


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