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* Veuillez noter que le prix ne correspond pas à la valeur d'aujourd'hui, mais uniquement à la devise au moment de l'achat.
DIOR Collier mit diversen Meerestieren.
Beschreibung Goldplattiert. Länge ca. 41 cm. Beschreibung
Estimation basse: — Voir les enchères
Peu de temps restant!
Rado Diastar Magic
Armbanduhr, Edelstahl, tlw. vergoldet, Automatik, vergoldetes Ankerwerk, 25 Steine, Fenregulierung, zweifärbiges Zifferblatt, aufgelegte Stundenbalken, Wochentag, Datum, Zentralsekunde, Formgehäuse, Nummer 1322568, Referenz 13G-625.0013.3, Breite ca. 35 mm, Klappschließe, 111,6 g, tlw. abgerieben Service wird empfohlenøx
Estimation basse: 300 EUR Voir les enchères
A collection of signs and wall art in a beachside theme. The collection includes A sign which says ?Please remove your shoes, Don?t take better ones on your way out? and is in yellow gloss; a sign ...
Estimation basse: 1 EUR Voir les enchères
MUNSTEINER einzigartiger Amethyst-Anhänger 111,5ct, feiner Farb- u.
Beschreibung WG 14K. L: ca. 40,5cm, Anhänger ca. 40 x 33mm. KP ca. 6650,-. Rechnung u. Etui anbei. * Leg. 585/000 * Gew. 62,6 g, Beschreibung
Estimation basse: 4 950 EUR Voir les enchères
Chanel Black Caviar Jumbo Single Flap Shoulder Bag
Chanel Black Caviar Jumbo Single Flap Shoulder Bag is the perfect bag to bring to the office for a sophisticated take on the classic flap bag! Featured in black caviar leather, this flap bag has the timeless Chanel diamond quilting and leather woven chain straps. This is a great bag for every day that will last a lifetime and give you a coveted piece of Chanel!, Chanel Black Caviar Jumbo Single Flap Shoulder Bag is the perfect bag to bring to the office for a sophisticated take on the classic flap bag! Featured in black caviar leather, this flap bag has the timeless Chanel diamond quilting and leather woven chain straps. This is a great bag for every day that will last a lifetime and give you a coveted piece of Chanel!, Overall Condition: Excellent Exterior Condition: Excellent, some smoothing on edges Interior Condition: Pristine Material: Caviar Leather Includes: Entrupy Authentication Certificate Origin: Italy Measurements: 12" L x 3.25" W x 8.5" H Strap Drop: 13-24.5" Interior Pockets: One Zippered Pocket, One Media Pouch Closure/Opening: CC Turnlock Closure Interior Lining: Lambskin Leather Hardware: Silvertone Designer Vault is not affiliated with Chanel. We guarantee this item to be authentic. Chanel® is a registered trademark of Chanel. Overall Condition: Excellent Exterior Condition: Excellent, some smoothing on edges Interior Condition: Pristine Material: Caviar Leather Includes: Entrupy Authentication Certificate Origin: Italy Measurements: 12" L x 3.25" W x 8.5" H Strap Drop: 13-24.5" Interior Pockets: One Zippered Pocket, One Media Pouch Closure/Opening: CC Turnlock Closure Interior Lining: Lambskin Leather Hardware: Silvertone, Designer Vault is not affiliated with Chanel. We guarantee this item to be authentic. Chanel® is a registered trademark of Chanel
Prix fixe: 3 800 EUR
Hermès Box Kelly Retourne 35
Black Box leather Hermès vintage Kelly Retourne 35 with gold-plated hardware, flat top handle, tonal leather lining, three pockets at interior walls and turn-lock closure at front flap. Blind stamped M from 1957. Includes lock, key, clochette and dust bag. Shop authentic designer handbags by Hermès at The RealReal.
Prix fixe: 4 700 EUR
Alexander Calder 1898–1976 Untitled (from the Calder, Magie Eolienne
estimate: $1,000–1,500 Signed and numbered to lower edge 'Calder 36/75'. This work is number 36 from the edition of 75 printed by Arte Adrian Maeght, Paris and published by Société Internationale d'Art XXe Siècle, Paris.
Estimation basse: 940 EUR Voir les enchères
Mercedes-Benz - A 170 DS - 1952
Cette A 170 DS a été fabriquée en 1952, la voiture a été amené aux Pays-Bas en 1962 et acheté par le précédent propriétaire en 1978 pour être restaurer par la suite. En 1979, le précédent propriétaire a commencé la restauration plein d'énergie mais pour des raisons de santé a du arrêter le projet peu de temps après et hélas n'a jamais pu continuer la restauration.Il avait acheté la voiture en état de marche et ensuite il l'a démonté, la voiture était de couleur blanche à l'achat mais en fait elle était noire d'origine (plaques d'immatriculation).Le véhicule a été remisé dans une grange pendant plus de 38 ans avant que la famille décide de la vendre.La carrosserie a été restaurée mais sinon tout le reste est à faire, le véhicule est complet et est fourni avec un nouveau faisceau de cbles.En bref, un projet de restauration unique pour le véritable passionné.Le véhicule pourra être vu et récupéré à Schoonebeek, Pays-Bas.
Estimation basse: 5 000 EUR Voir les enchères
Rosa Small Ceramic Plate
Dessert plate with a contemporary design entirely handcrafted and decorated by the artisans of Milanese Laboratorio Paravicini. The smooth white ceramic is hand-painted with a pink lip and intricate chain and garland details in gold.
Prix fixe: 170 EUR
Ico and Luisa Parisi coffee table
Prix fixe: 8 300 EUR
(Amelius,J.) Libellus extractus a sacris canonibus continens Canones
Libellus extractus a sacris canonibus continens Canones penitentiales, Casus ad solum papam pertinentes (et alia opera). Paris, Nicolas de la Barre (um 1520). Mit Druckermarke in Holzschnitt a.T. u. l.Bl., ganzs. Holzschnitt a.T. verso. 18 (statt 19 Bl.). Mod. Prgt. - Ohne Bl. C1.
Estimation basse: 270 EUR Voir les enchères
17th Century Arraiolos Portuguese Needlepoint Fragment Rug
A very rare needlepoint, albeit only half of it, woven in the convent of the town of Arraiolos, located in the Alto-Alentejo province of southern-central Portugal. Recently acquired from a Portuguese church, this large fragment is richly decorated by a floral arrangement typical of the Rococo period. The light yellow background is characteristic of this group of weavings, as is the curvilinear character of the floral sprays, obtained by a very peculiar type of chain-stitch. Unfortunately it has suffered over the year by a considerable amount of wear, which has been restored by successive generations. The current condition lends itself perfectly for floor use, as all the old repairs are stabilized.
Prix fixe: 10 400 EUR
Estate Cartier Paris Nouvelle Vague 18K White Gold Diamond Band Ring
Cartier has created another masterpiece with this unique band ring from the Paris Nouvelle Vague collection. The ring is made of a single band subtly intertwined to give the illusion of multiple bands. Lastly, the ring is semi-paved with ~1ct of diamonds.
Prix fixe: 4 300 EUR
2008 Dana Estates - Cabernet Sauvignon Lotus Vineyard 750ml
Prix fixe: 300 EUR
Andrew Pereny Pottery Light Blue Vase
Rare Andrew Pereny Pottery light blue vase. Nice shape with good color. MINT CONDITION. No chips, cracks, damage or repair of any kind. Minute factory flaw as seen in photo. Bottom marked with Pereny Pottery, Col's, USA and V-19. Vase is 7 1/4" tall and 5 1/4" wide. Andrew produced pottery for only a brief period from 1933 to 1938 and has become avidly sought by collectors. More From AAPA Journal Article Pereny was born in Manhattan, the son of Arnold Perenyi, who immigrated from Hungary in 1906 with his wife Mary and children Louis and Anna. Son Frank was born soon after their arrival, and Andrew in 1908. Arnold was later described as a "commercial artist" but in the 1910 census was listed as a house painter. At some point the "I" was dropped from the family name, possibly when they moved to Detroit, where Andrew attended school. By 1927 he was working for Flint Faience Tile, a subsidiary of AC Sparkplug in Flint, Michigan, as a designer and installer. By his own account he assisted in the design and production of the tile installation at the Mayflower Hotel in Washington, D.C., but unfortunately none of this tile work is visible in the renovated hotel today. No other specific individual tile designs have been attributed to Pereny. While at Flint Faience, he was urged by a co-worker to attend Ohio State University to learn more about ceramics. This was undoubtedly John D. Whitmer, who was an OSU graduate in ceramic engineering and had worked at American Encaustic Tile in Zanesville before going to Flint Faience, where he remained until its closing in 1933. By that time Pereny had graduated from Ohio State with a B.F.A. in ceramic art, continuing in graduate school for a year but never obtaining an advanced degree. To help finance his way through college, Pereny began making artware and ceramic sculpture in a small building on Pearl St. or Pearl Alley, a dozen blocks from the Ohio State University campus. Aided by his wife, Ruth Koons, a cardiologist whom he married in 1933 and who also helped her husband in the pottery, Pereny continued artware production. The ware was sold through prominent outlets such as Lazarus, J. L. Hudson Co., Macy's, and Gimbels, until 1938, when the company was sold to W I. Tycer. According to Pereny, he learned ceramic engineering by osmosis. In 1935 he established the Pereny Equipment Company to manufacture custom-designed high temperature industrial furnaces and ceramic kilns, both electric and fuel fired. Realizing that developing innovations in this field was more profitable than making art pottery, Pereny continued to operate the company through World War II, during which he rose to the rank of Major. He also developed several patents, including a power-driven laboratory ball mill and a variable speed potter's wheel, as well Pereny in his studio. From The Ohio State University Monthly, February 1935. Pereny trivet. 5 1/2 inch diameter. as ceramic typewriter keys. Much of Pereny's art ware is marked with a distinctive triangular logo, and a similar logo continues to be used by the Pereny Equipment Company to this day. Pereny used a simple scheme for shape numbering, with vases being numbered consecutively at least as high as V-34. A B-8 bowl is also known, but many pieces lack shape numbers. In addition to his orange to yellow flambé glaze, which is the most commonly seen, he used a variety of high gloss and semi-matt glazes, bright Egyptian blue, a light blue, a very light green, gun-metal, and a reddishyellow ochre. A few pieces illustrate a problem with consistency of glaze thickness or pooling and even occasional fingerprints. Both white and red clays were used. While many pieces are hand thrown, others are molded, especially the more complicated figurines
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